Take One, And Done?
You never know about
Hollywood. Let me explain.
Dashed
off to Universal Hilton in Universal City last week. Sisters in Crime National put together an incredible
opportunity for members to meet with Hollywood producers and developers of
feature films and TV for companies such as Warner Brothers and Dreamworks. One of the
speakers was the woman, Laurie Zaks, who developed Castle for ABC! Can you believe that? Seriously. This was serious.
I LOVE Sisters in Crime!
Before
we met with our perspective Catchers (we were the Pitchers, hence the clever
reference to those who received the pitches – you get that, right?) we were prepped.
In between a great continental breakfast and a terrific lunch, we were treated
to talks and panel discussions by famous producers and screenwriters. I mean
famous. The writer for Marvel: The Agents of Shield was there. The writer for
Bones was there. It was a mesmerizing
and wonderful experience. (Okay, it was overwhelming and scary.) But we hung
in, every Sister and Mister Sister to the next step—Industry-savvy people joined
our perspective cohort groups to help each of us hone our pitches. This part
was to help center us, write the perfect Tag Line, find the true heart of the
story so we could spew out the details of what took (some of us) several years to
write—in five minutes. Our coaches were so nice, so encouraging, so skillful.
They tried so hard. We were convinced, however, that we were still completely
befuddled when our coach smiled and hurried away, saying “Let me know how it
goes.”
Just
before leaving she told us that probably no one at the conference would get a “buy”.
The odds were against us. But, she hastened to add, that didn’t mean some of us
wouldn’t get a call months down the line. “You never know what a producer is
really looking for. He or she could already have a story like yours ‘green-lighted’
(going to production.) The producer might be thinking about the cost of
production, or by the type of story that those companies are not looking – at the
moment – are not needed. "Maybe next year,” she said with a bright smile. “You
could still get a call.”
So,
into the pitch session I went unprepared for what we were told to watch out for—the
polite stare of the person to whom you are pouring out your heart—in my case,
two very nice, very young women who
work for a large Cartel that sells screenplays, books, concepts to the
Hollywood factory. They were adorable while I gave it my all which was a bunch
of words that at the moment I was sure had little to do with the heart of the
story. What was the story? Ugh! I am so glad
that Claire Abramowitz (Princeton graduate and previously at Random House
Studio and Penguin Development Group where she developed original Intellectual Properties—IP in the trade—for film and television) asked a great question
about the traumatic event that sent Darcy away from home in the story. Oh, what
a relief. Claire really was listening. She even asked for the postcards I made
as a ‘leave behind’. So – you never know.
I
could, and any of us writers could, sell a story to Hollywood, because they
need and want our stories according to everything we heard at this conference.
But it could take years to get to the screen and will have very little
resemblance to the book you wrote. So be prepared to just let go if you sell to
the movies.
On
our second day there was a panel of “Gatekeepers”, screenwriters and developers
that work closely with studios. They made it very clear that one has to have an
AGENT to get to them. But there is one way that might work. Screenwriting contests.
Winning one of those might get you noticed. Otherwise, yeah. AGENT.
Oh, but wait. There is another way. A path that reveals, it seems, only every decade. A
Sisters in Crime Conference that brings members into the same room with the
elite of Hollywood writers and producers. Yes! This opportunity allows those
who attended to contact the speakers, Catchers, developers that came to meet
with us. That possibility is there. And who knows? As the song says:
Hooray
for Hollywood
That screwy, ballyhooey Hollywood
Where any office boy or young mechanic
Can be a panic, with just a goodlooking pan
Where any barmaid can be a star maid
If she dances with or without a fan
Hooray for Hollywood
Hollywood is crazy wonderful. Just have to remember not to not end up as crazy as Barton Fink did when he went there to write a screenplay. Have you seen the movie? It's hilarious. Well, maybe a bit scary. :-)
Thank you, Sisters in Crime